you re still not taking yourself seriously.on the journey to discover new tracks you trip over a few disco-balls, find an irresistable melody, dance briefly with abba, are trapped by chic, free yourself and then also rob them/it (???) of a super-bassline. next you travel to the outskirts of berlin to dowse for / apply the divining rod to find fresh, unused talent. the discovery responds to the name c.l.i.c. and turns a discohymne into a little rave-monster. now add to the whole made-up story the fact that you leave the remixing to an old friend. he makes a >6am, the sun rising, tickling your nose and making you scream< track out of it. the name of the mysterious unknown: oliver koletzki. conclusion: you re still not taking yourself seriously. why should you? >fitzelkrtschbungbritzelbratzel< is just ruling everything. a counter-design is urgently needed. the world s serious enough

due to productions on many hardtechno labels like combat skills, highball music and s suberp knedeep production, chris popularity with the fans on filthy hard throbbing techno skyrocketed.. sw7 re-offers one of his hardest works to date, the beatcasting ep!! originally released in 2002 in limited quantities, we now present this wicked piece of hard techno where chris noise pounds away like if there is no tomorrow..

broadcasting timeless, route one techno from the heart of berlin since 1996, cabinet records has come to epitomise the rough underground sound of a city like few others. now, with this excellent compilation package, plus 8 has seen fit to set this essential contribution to electronic dance music in stone. indeed, over the last decade the relationship between the labels has come full circle, making the release of this retrospective package all the more timely

2 atmosheric techyhouser by ricky l

wooling is a german word for chaos! the bethel based techno label starts with number 100 (counting down to 0) and brings a series of minimal rockers to the dancefloors. the artists stay unknown leaving more room for the music. #100 presents two fresh hymns concentrating on minimal like richie hawtin and the sexyness of mathew jonsons or dominik eulbergs productions

>interstellar fugitives 2 - destruction of order< gathers together some of the finest in detroit techno and electro, with contributions coming from suburban knight, dj s2, the infiltrator, the aquanuts, the unknown solider, the deacon, nomadico, and mid mike

electrik bugg is a new record label based in the techno mecca that is crawley, uk. set up with the sole purpose of releasing limited run vinyl with limited information, the label s >no frills< attitude forces the listener to focus on the key issue here, which is of course the music. drawing from influences past and present, the producers involved (who s backgrounds range from familiar to the unknown) have been influenced by the classic early techno such as black dog, carl craig, kirk degiorgio ao, and the music portrays these influences blatantly. deeper shades of techno which sounds very analogue in production focusing on a more intriguing percussion style than your average…(some of the drum programming here is down right stunning). both 12inch come as white labels with an e-bugg stamp. volume 1 is yellow and volume 2 is black…chec

classic 1992 four tracker including detroit and chicago flavoured experimental techno tracks preminition was on artificial intelligence on warp records not to be missed

restock.. finest minimal detroit tech produced by richard hinge

the detroit grand pubahs launch their own label det.ele.funk wich stands for detroit electro funk!! this first release is exactly that.. instrumental dark tough electro club tracks with an outstanding ectomorph remix..

nery's new offing contains the right dosage of madness that's come to be expected of fl.oz artists a1. starting out with a track called maharaja, this has to be some of the fastest triangle known or more correctly, unknown to man' a guitar hook t

not everybody understands house music but the man frank west - winner of this years copa colonia - learned his lesson! six streetwise tracks, raw n dirty beats & some of the sweetest samples feelin, uh ah, frank west says… do you love eddie amador s house music so than you will love this one!!

excellen 4x12inch vinyl set with cool classic tracks !!!

berlin's elektro-instanz gibt sich straight & durchdringend. theorie ist wenn man trotzdem tanzt

cool mininal dubby techno, detroit like !!

cool mininal dubby techno, detroit like !!

cool mininal dubby techno, detroit like !!

cool mininal dubby techno, detroit like !!

cool mininal dubby techno, detroit like !!

dub edit plus eric prydz remix plus the 'unknown beatbox version'!!

hardbangin schranzin 4 tracker !!!

number 17 in the player series, as usual an unknown artist giving us some full on techno aimed at the dance floor

ultraphat ltd vinyl compilation (13 tracks) .dj support: trevor jackson (aka playgroup) … incl tracks from div pocketgame friends like ladytron, break3000 (one part of the dirt crew), hong kong counterfeit, nitsch and gleinser and many many more

cool mininal dubby techno, detroit like !! played by sven väth

cool mininal dubby techno, detroit like !!

cool mininal dubby techno, detroit like !!

german jazz supergroup web web continue their collaboration with songwriter and producer max herre on their fifth album web max ii, issued on compost records.

... dark wave on 2 cds

cd digipack, silver pantone

the debut album of original material from echo collective.

ambient neoclassical electronica from hior chronik.

celebrating its 25th anniversary, far out recordings proudly presents two albums of previously unheard azymźth demo recordings from 1973-75.

kabar is a compilation from electronic from reunion island (right in the middle of the indian ocean). tropical sounds, sunny moods and crŽole dialect from mostly unknown artists from the island. worth mentionning jako maron ( nyege nyege tapes), alex barck (of jazzanova) or labelle though and some artists with a profile in world music (christine salem, maya kamaty). perfect summer opening compilation for both rare groove diggers and demanded djs in search of the best tropical beats. a musical electronic snapshot from an exotic and unknown part of the globe. half of the tracks on the compilation have never been officially released.

das vierte studioalbum des langjŠhrigen berghain-residents efdemin alias phillip sollmann.

dear human survivors,Ê while the story of grounded in humanity is coming closer to its glorious end - there will be 3 more releases before the final showdown of humanity vs. human clones - the birth of our spin-off label human insurgents is taking shape. the first chapter, a 11-track album, is written and told by phat lord - who is also known as leader of the human resistance, trying to put an end to the brutal regency of the clones. phat lord is a true legend of the underground and his origin and location are totally unknown, even for the largest part of the resistance. some say he may even be a clone himselfÉ. the album is a sonic trip through various mental states and dystopic landscapes. it is a result of 8 years moving below the surface and often in the dark, to avoid discovery. he worked with simple, analog methods, focusing on the true essence of sound. we recommend a setting that allows for deep listening and proper bass support.Ê

a-sun amissa is a project formed out of leeds, uk in 2011 by members of glissando and the rustle of the stars. built on the foundations of the unknown, a project that encompasses minimalist drones, modern-classical movements and avant-garde tendencies. richard knox (glissando, the rustle of the stars, of thread & mist) & angela chan (glissando, the rustle of the stars, ten, tomorrow we sail) began forming the initial ideas in the autumn of 2011, moving away from the piano-led ambience of previous outputs. new album you stood up for victory, we stood up for less sees a-sun amissa moving in a more dense direction, the drones are heavier, the sound thicker and with the added bass-clarinet of gareth davis there a new slightly darker jazz element now to the music. the two tracks were conceived initially as two drone guitar pieces, following that, work was done on the composition and atmosphere of the tracks adding the bass-clarinet, viola, vocals, field recordings and piano. the finished works produce an unsettling but hypnotic listen with melodies moving in and out of the mix throughout these two pieces. you stood up for victory, we stood up for less is released a year on from a-sun amissas debut desperate in her heavy sleep (gizeh). the band will tour the uk and europe in february and also play a handful of uk dates with barn owl in april. recorded at cloud blunt moon and city 1, leeds in october & november 2012. mixed by richard knox. mastered by james plotkin. photography by frŽdŽric d. oberland. layout & design by richard knox

after establishing himself with rough but emotive house as rimbaudian and jungle as birds of sweden, he unveiled his dj seinfeld alias to the world, first with underground hit single u, then with his time spent away from u album on lobster fury in november 2017. it was a post break-up love letter to the dance floor with heart-on-sleeve emotions colouring the dusty and analogue house grooves. acclaim came in from far and wide, with everyone from rolling stone to pitchfork fawning over its heart swelling nostalgia and melancholic immediacy. jakobsson approached his dj-kicks with the intention of representing all the things that made him fall in love with dance music more than a decade ago, as well as showing some of the progression that has occurred in that time and reflecting the simultaneous fear of leaving something safe behind as well as the excitement of venturing into unknown territories, musically and emotionally.

they say that good things come in threesÉ it must be true and favorite recordings also proudly presents the third edition of its acclaimed french disco boogie sounds compilation series. like on prior volumes, the complete tracklist is selected by charles maurice, whoÕs unearthed 13 more forgotten and hidden tracks, all produced whether in france, in french, or by french artists between 1977 and 1987. with most of these titles now very hard to find in their original edition and unknown by many, this compilation should be a must have for any disco-boogie-funk music lover and collector. fully remastered from originals at the carvery cut (uk).

spacetalk is proud to reveal its most exciting release to date: a collection of long-lost recordings from forgotten californian duo morrison kincannon, rescued from the dusty tape archives of the pairÕs lead songwriter, norman morrison... with only a handful of sought-after private press 7Ó singles to their name, morrison kincannon are all but unknown outside record collecting circles. yet norman morrison and terry kincannon wrote and recorded some superb songs during the 1970s and early Ô80s, desperately hoping for the break that would see them released on vinyl. now, at last, their time has finally come.

dvs1 aka zak khutoresky, us dj/produzent/labelbetreiber russischer herkunft, ist mit releases auf labels wie klockworks (ben klock), transmat (derrick may) und seinen eigenen imprints sowie regelmŠssigen dj-gigs im berghain und fabric ein aushŠngeschild des zeitgenšssichen techno. auf fabric 96 mit 29 tracks in 80 minuten besticht er mit seinen technischen skills und einem tracklisting mit hohem exklusivem anteil in form von u.a. neuen produktionen von steffi, oscar mulero, mark broom, rod, lando und kirill main auf den dvs1-eigenen label hush und mistress.

habibi funk: an eclectic mix of music from the arab world.

on limited edition compact disc. generated instinctively in the moment from resampled chunks of previous output sandwiched between unheard waveforms from a distant future whilst underwritten by voltage controlled rumblings from actual synthesisers than can be seen and touched and wrecked by roadies. traversing known knowns and unknown knowns from drone to drone. harvesting new and slightly less new artefacts of the digitaux variety and crash landing in the ghetto of the lysergic jungles visited by g@ng5tas of yesteryear, all for your personal enjoyment. performed live at the red rattler in sydney, australia on the 16th of april 2017 for the strange signals / house of mince crews, the performance is slightly more than just the insane ejaculations of an unhinged mind, but a true insight into one of the internets least popular twitter accounts.

recognition opens up its archives and invites to a futuristic sentimental journey with respective stages set by the 9702. album contains a set of varied tracks recorded within five years after warsaw labels launch and its first release. extended compositions and short improvised sound notes resemble eccentric propositions of such labels as (early) warp or rephlex, standing next to melancholy-saturated minimalistic techno and abstract collage structures which prove out to share many characteristics of clicks n cuts movement of the second half of the 1990s. usage of human voice samples is an outstanding feature of many of these archive materials. entirety of mastered-anew content encompassing both records, contains all principal trademarks which distinguish jacek sienkiewiczs creations and his label recognition - utmost care about depth of sound sphere, experimental inclinations and focus on complex motoric aspect of the rhythmical base. this collection of music from recognitionÕs first five years, surprising for its freshness and sheer impetus, is a must for all fans of jacek sienkiewicz and polish electronic music of the turn of the 20th and 21st centuries. in connection with publication of yet-unheard tracks, jacek shares another slice of yet-unknown artistic vision, connecting sound with other media such as image, light and movement. recognition xx audio-video performance comes out in summer as a result of this retrospective look.

this repress comes as a jewelcase single cd version. a project that came to life fuelled by collectorsÕ obsession and a lifelong willingness to dive head- first into unknown musical wormholes, miles whittaker and sean canty have never been defined by a singular musical trajectory. their opening salvo of releases dabbled with the aesthetic of the occult and provided an alternate, parallax view of the italian library records with which they were both obsessed at the time, but as their long running mixtape series and brilliantly curated dds label attest, their interests extend far outside the crevices of early electronic music and into dance music, dancehall, roots, jungle, techno, industrial, noise and beyond. while 2013Õs testpressing series provided an outlet for mostly club-based productions shot from the hip, wonderland has been constructed with a narrative in mind. from the clipped hardstyle of the opening curzon, through the jaunty dancehall mutations of animal style and fulledge, exotica/house refractions on hardnoise, the frankly ridiculous, bassbin destroying jungle ructions on sourcer, or the extended tease of overstaying, itÕs probably the most enjoyable and loose-limbed hour of music in their catalogue, or that youÕll likely hear in these weird, angst-ridden times.

2017 re-issuejohn talabot reiht sich in den erlesenen kreis der dj kicks compilations ein. sein dj kicks mix wird im oktober auf !k7 veroeffentlicht. oriol riverola aka john talabot gehoert aktuell zu den gefeiertsten djs und produzenten

soul jazz records are releasing tee macs night illusion, a lost classic nigerian afro soul meets disco boogie funk album originally released in nigeria in 1980 as a private-press release of 1000 copies on the enigmatic artists own label. impossibly hard to find, the record remains practically unknown outside of nigeria.